The fetish of fascism: How Salò exposes the aesthetics of domination (Soban News)

Pier Paolo Pasolini’s last film ‘Salò, or the 120 Days of Sodom’ looks uncompromisingly into the horror of authoritarian rule​Pier Paolo Pasolini’s last film ‘Salò, or the 120 Days of Sodom’ looks uncompromisingly into the horror of authoritarian rule ​Latest News [ SOBAN NEWS: International and National ]